Reflections On King Solomon And The Buddha - Section 2

Chapter 19 - Flying Closer To Earth

by Ira Rosenberg


Let's look for relatively selfless intentions closer to daily life. Let's not be Luftmenschen. What about love? Certainly in love one's intention can be for the sake of the other. But "the other" can always be considered a mental construct -- a projection of the self. Wishful thinking about who the other is or can become, so common in love, speaks from our own needs and presumptions. By this reasoning, even sacrifice for the sake of the beloved, if the beloved was a projection of one's own wishes, would be considered a selfish act -- and has often been so considered.

And it's the same with wisdom. The selfless intention in wisdom, which purports to be or do for the sake of "humanity" or "the environment" or the "planet earth," rests on an opinion about what will truly serve, it rests on conviction, personal faith, and the strength of will to hold one's creative insight in the face of opposition, sometimes against the ruling paradigms. And this requires more, not less self-will. Therefore, neither kavannot, mitzvot, love, nor wisdom can be selfless. This is precisely what Solomon saw. They carry a self reference with them everywhere they go.

What purpose, then, do love and wisdom serve? If they are inevitably flawed by the imperfection that is structured into reality itself, what relief, release, redemption can we hope to achieve in them? Does love overcome dukkha? Does it have transforming powers? Constant love, Christian love, even in its individuated, self-referential form, puts itself out this way; it purports to resolve dualities, to reconcile enemies (Matthew 5:43-44.) But what are we looking at phenomenologically when we speak of constant love? All we can know of love comes through experience. The constancy of the emotion and the integrity of the experience and what it leads us to do or refrain from doing are two different things, though boasted of and sung by poets and mystics.

The love that lies behind the constancy of the emotion of love -- even if we assume the emotion to be constant -- may not be all that constant. We drift in and out of love with our principal others. Judging by our behavior, when something goes wrong we are usually briefly estranged -- and this happens frequently enough. When thing go well, we fly to union, but union doesn't last. As the pseudonymous Solomon recognized in the Song of Songs:

How do we manage to call it love even when we are repulsed or find our lovers repugnant? We do it by holding the memory of all the separate approaches and separations in a single bigger basket. We love the abstraction of love. As Rogers and Hammerstein put it:

"Falling in love with love is falling for make believe. Falling in love with love is playing the fool."

In this they even echo the Solomonic criticism of "folly."

The constancy of the feeling of love is an accretion, an assemblage, a residue built up from many experiences of turning, principally our turnings from separation to approach where the appreciation for the other soars and strengthens. And in moments before we plummet into deepest intimacy, where the overpowering visceral draw of the other makes us feel love in any or all of its four forms, we feel and commit ourselves to its eternal verity. But these powerful turnings toward union with the beloved can only occur by virtue of the reality of an equal number of turnings away from intimacy toward distance, toward isolation, renunciation, revulsion, or solitude. If everything is changing -- because "this too shall change" -- love is changing too. This is the insight of the Song of Songs, the ceaseless rhythm of approach and separation, a rhythm wound into the universe, an intrinsic rhythm of life: lovers must part in order to renew their love.

Memories of this variability in the rhythms of love are what we suppress when, in recollection, we compose the longer view of love's durability. But Solomon makes love simple in its four manifestations:

Next Back Index MCJC Home

Copyright 1998 - Ira Rosenberg

Last Updated 09/19/98 (rge)